submitting

here's the yarn stash i'm taking to the georgia national fair. it is a nice assortment of colors i think. there are definitely some which i will be keeping (they're so pretty, it would be hard to part from them), and some i will post to etsy when the fair is over. other entries you may have seen before if you read this blog; mini quilts, lap quilt, various cushions, weavings, smocked pin, beaded pin, etc.

mmm...sorbet

after making some adaptations to my flax wheel (mainly replacing the flyer hooks and smoothing the orifice), it spins a little better. i was able to spin up a pink batt i had made the other day; it reminds me mostly of raspberry sorbet.

weekend fun addendum

i spun up two of the batts i carded at the workshop. the batt formerly known as clown vomit was plied with a white alpaca. it was a definite learning experience. i spun it on my ancient flax wheel (which is quite the finicky beast when it comes to spinning anything thicker than fingering, and you can just about forget spinning fat and thin singles) and it may have taken me a few hours. i try not to think of it. the plying was done on a drop spindle (again, the ancient ones' fault, as it absolutely refuses to spin counter-clockwise). not that i don't enjoy plying on a drop spindle, but it is a little awkward to try any fancy art plying. but, in the end, i really like the color play and softness of the yarn.

after borrowing my good friend's schacht matchless spinning wheel, i spun up the purple batt, plied it, and was skeining in about an hour. wee! it's quite lovely, and i really like the flashes of purple silk and amethyst corriedale locks. another lesson learnt; it is true that you shouldn't mix differing lengths of fiber when creating a batt, as the longer fibers all but disappear while spinning (much like a corespun, with the longer fibers acting the part of the core).

wrapping

since watching the movie "the tourist", i've been infatuated with the wrap angelina jolie's character wore in the first half; so elegant and warm. when i was in asheville, i picked up 3/4 yd of double faced wool coating with the intention of making something similar.

i wanted it to be reversible, so i sewed the pieces together with a zigzag stitch so there isn't a seam. for some shaping i added a pleat to the back.

the wrap is off centered for flair, and i'm thinking of adding magnets as a closure, but i'm not 100% sure. for now, it's too hot to wear it, so i can keep collecting ideas.

weaving plums and purples

i love the look of entrelac knitting, but don't feel like having a lap full of wool right now. so, instead, i decided to work on some weaving. i chose to mimic the feel of entrelac by using an m's and o's pattern, which created a lovely texture.

looking at my yarn stash, i found several purple hues in my wool box; enough for a shawl. the body of the piece is a tweed wool that has a bit of stretch to it, along with some cochineal dyed merino i did while in japan, grey bamboo, and plumy alpaca (which decided it wasn't going to shrink at all once i fulled the finished piece).

for the shawl ends i finished them by starting and ending the weft with a chain stitch, and tying the warp threads into chunky tassels. i'm very happy with this finish and will use it again.

dyeing haze

some of my dyeing efforts on wool roving are complete, so i carded them together for a particularly lovely batting to spin; two greyish purple shades of logwood, three shades of kamala, and one beige shade of lichen. i was hoping the lichen would be more pink, as the densely packed ammonia soaked lichen concoction was a bright pink, and at first i simmered it on low for an hour (resulting in the palest tan), then let it soak in fresh dyestuff for two weeks (only to get a slightly darker beige).

but the bluer logwood came out lovely, and the sunny strength of the kamala is nice. i threw in some purple sparkle while i was spinning to add some charm, and i quickly discovered that it is quite fun to add things while spinning. i would love to try some core-spinning, but the orifice of my old saxony wheel is too narrow to allow it. i wonder if it is possible to core spin with a drop spindle?

these colors are lovely, but i miss the sheen of silk, and the slightly more intense colors that fiber seems to acquire while dyeing. well, i shall carry on!

efforts

well, no news in the indigo front (the experiment bombed for various reasons). but, there's still some dyeing taking place in the laboratory. i've been dyeing wool roving as an experiment to see what colors i may obtain from the different extracts i have. hopefully i will end up with a good spectrum of colors to card together and spin. so far i've created bubblegum pink, deep magenta, daffodil yellow, and a ruby purple by using madder and kamala. currently resting in the dye pot is hopefully a teal and a pale green, so their final color is awaiting verification. i know i should make orange, but it's my least favorite color, so i may settle on peach. when i have them all together i'll post photos.

i was happy to receive extra bobbins in the mail from doc for my new old spinning wheel, so i tested them out and was able to spin a fine grey alpaca two ply yarn; it's especially fuzzy, so i'm not quite sure what to do with it.

on monday during the spinning meet-up, i spun a lovely silk merino i've had forever, and plied it with a cinnamon alpaca. it took a little extra work to ply as i had to reply it on my drop spindle after the initial plying was too loose. drop spindle plying is especially nice as i feel that i have more control over the end result, at this point i prefer it over spinning singles on the drop spindle (i quite like using the spinning wheel for that part).

i'm racking up quite a collection of spun yarns, perhaps i should put some of them in my etsy storefront?

creativity in the face of the dismals

well, what have you been up to anastasia? hmm, maybe not as much as i thought. you'd think being jobless would free up a lot of time to just focus. but then you want to buy the materials with which you've envisioned a piece, and find that there is a downside to being without a job; a serious lack of funds. then you think, "what about that stock of stuff i've been building up for the last few years?", and you find that your tastes have changed somewhat.

or perhaps, i just like the thrill of ordering something, the suppressed excitement of knowing that something is in the mail, the joy of finding a package waiting for you on the doorstep, the exhilaration of opening a box, and admiration, which lasts ever so slightly in the passage of time, of your new acquisition before the urge to order something else takes hold of your senses. ugh. i think i have a problem. or, rather, an addiction. join the club.

then, there's other things which arrive in the mail which aren't so welcome; bills. with the lovely bit of financial reality i receive in the mail every month, i'm beginning to realize that i can't be as free with my heart's desires, that the old piggy bank ain't giving out one more dime. i could be over come with bleakness and dive into a deep pit of despair and depression, or, i could start looking closer to home for material to work with. you know, *cough* the cats, or something.

which brings me to my latest undertaking, spinning cat fiber yarn! i'm calling it turkish van fiber. sounds fancy, huh? well, they are decadently soft, these two kitties of mine. and they really love getting combed, plus they come in three colorways, auburn, black, and white, which mixes up to a greyish yarn color once carded. so, i've spun the cat hair onto a bobbin, and plied it with wool left over from my felting days (which weren't all that many now that i'm being honest with myself), and created a lovely mottled french grey yarn which is surprisingly soft.

i'll admit it though, i really enjoy spinning, and keep wistfully gazing at the pages of ox, alpaca, linen, peace silk, vicuna, qivuit, and guanaco fiber available these days on the internet. but, thankfully for my sagging wallet, i haven't pressed the purchase button yet. sigh. i want a job. a workroom assistant to a costume designer would be nice, or to work in a couture house sewing by hand for hours, or attaching sequins to a stage outfit, any of those would cause me to hyperventilate with happiness. oh, i don't know, one can dream i guess.

rings and things

i like creating jewellery when i really had no such intention of doing so. while contemplating my current weaving project, i was fiddling around with a bit of wool i had attempted to dye, and ended up creating a fuzzy ring. it covered my gold ring very well, and put me in mind of a book i read a long time ago where the main character hid a ring with a bit of scrap so as not to be separated from it. the ring was quite crucial to the entire four book story, many things relied on it and what it kept secret. and, no, it wasn't the tolkein series, but another fantastical series, memory, sorrow, and thorn by tad williams.

one thing i noticed about wearing wool jewellery, is the warmth; my hand remained quite toasty all day. another, is that for such a large piece the softness prevented it from hurting when grasping something hard, or from weighing the hand down and cutting off circulation. neat.

tactile color

today was a colorful day! it started with the dyeing of my kasuri skeins, which went well; that is, after i corrected the first batch of dye which i had made a mathematical error in, by having to discard it down the drain. eh, check math twice, measure dyestuff once.

after lunch we took a visit to the kawashima selkon factory and museum. very neat! they have a ginormous 24 meters wide hand loom which they create large tapestries on, such as special stage curtains, and large scale wall tapestries. there are smaller hand looms which are used for weaving obi, both ooak commissions and regular orders on the second floor. most of the obi can take anywhere from one to six months to complete. i love the little shuttles they use, i would think they would definitely be useful for inlay weaving.

i actually had an opportunity to try my hand at weaving an obi earlier last week (see hand in upper right corner of below photo? mine). so hard! you work from the backside of the piece, so you don't see it until you take it off the loom, as well as the loom takes a lot of muscle to operate. i was so nervous!

after dinner, one of my classmates had a box of natural dye samples she completed at a retreat last weekend. they were so lovely, both silk kinu and wool uuru.

tomorrow is the start of my warping the kasuri. i'm scared, but excited, i don't want to mess up the placement of the warp kasuri areas.