never too early

the days are getting shorter, cooler weather has blown in, and there's a crisper feel to the air. all this means one thing, halloween is coming! well, and fall, of course. but let's focus. halloween, the best holiday ever.

i've started early this year, as inspiration struck, to decorate the foyer of the dollhouse. bats made from pipe cleaners and paper, witch's broom and hat, cobwebs of cotton, and a paper jack-o-lantern. i'll add more as i think of it. but for now, it's very festive!

weaving plums and purples

i love the look of entrelac knitting, but don't feel like having a lap full of wool right now. so, instead, i decided to work on some weaving. i chose to mimic the feel of entrelac by using an m's and o's pattern, which created a lovely texture.

looking at my yarn stash, i found several purple hues in my wool box; enough for a shawl. the body of the piece is a tweed wool that has a bit of stretch to it, along with some cochineal dyed merino i did while in japan, grey bamboo, and plumy alpaca (which decided it wasn't going to shrink at all once i fulled the finished piece).

for the shawl ends i finished them by starting and ending the weft with a chain stitch, and tying the warp threads into chunky tassels. i'm very happy with this finish and will use it again.

creativity in the face of the dismals

well, what have you been up to anastasia? hmm, maybe not as much as i thought. you'd think being jobless would free up a lot of time to just focus. but then you want to buy the materials with which you've envisioned a piece, and find that there is a downside to being without a job; a serious lack of funds. then you think, "what about that stock of stuff i've been building up for the last few years?", and you find that your tastes have changed somewhat.

or perhaps, i just like the thrill of ordering something, the suppressed excitement of knowing that something is in the mail, the joy of finding a package waiting for you on the doorstep, the exhilaration of opening a box, and admiration, which lasts ever so slightly in the passage of time, of your new acquisition before the urge to order something else takes hold of your senses. ugh. i think i have a problem. or, rather, an addiction. join the club.

then, there's other things which arrive in the mail which aren't so welcome; bills. with the lovely bit of financial reality i receive in the mail every month, i'm beginning to realize that i can't be as free with my heart's desires, that the old piggy bank ain't giving out one more dime. i could be over come with bleakness and dive into a deep pit of despair and depression, or, i could start looking closer to home for material to work with. you know, *cough* the cats, or something.

which brings me to my latest undertaking, spinning cat fiber yarn! i'm calling it turkish van fiber. sounds fancy, huh? well, they are decadently soft, these two kitties of mine. and they really love getting combed, plus they come in three colorways, auburn, black, and white, which mixes up to a greyish yarn color once carded. so, i've spun the cat hair onto a bobbin, and plied it with wool left over from my felting days (which weren't all that many now that i'm being honest with myself), and created a lovely mottled french grey yarn which is surprisingly soft.

i'll admit it though, i really enjoy spinning, and keep wistfully gazing at the pages of ox, alpaca, linen, peace silk, vicuna, qivuit, and guanaco fiber available these days on the internet. but, thankfully for my sagging wallet, i haven't pressed the purchase button yet. sigh. i want a job. a workroom assistant to a costume designer would be nice, or to work in a couture house sewing by hand for hours, or attaching sequins to a stage outfit, any of those would cause me to hyperventilate with happiness. oh, i don't know, one can dream i guess.

off the loom

i'm trying to work on my backgrounds, and thought the grey color of the aged wood would help the creamy color of this scarf pop better. but today was a bit sunny, and no matter how i hoped for some clouds to filter the light of the sun it was all in vain; so i think the contrast is a little too much. better luck for tomorrow, i hear there'll be rain! but hopefully not before i can take more photos of my freshly woven scarf.

gifts to exchange

at the last fiber guild meeting, we did a little handmade gift exchange. as i didn't have anything on hand, i needed to create something. and, as so often the case, i waited till the last minute to do so. so, the evening before, i got out the sewing needles, buttons, and small scraps of cloth, and decided to make a cloud pin with a raindrop embellishment. i kept things simple, and took an idea which i had worked on in japan; to line up the button holes with the holes on the pin backs i use, and to sandwich the button between two bits of cloth which can be trimmed to whatever shape one likes.

when gift wrapping, i like to repurpose, as it makes things more interesting that way. so the paper i wrapped with was packing material used to cushion glass, and the bow was made from candy foil.

the button sandwich pin needs more development, but the clean lines you can achieve is quite nice, and the simplicity lends itself to minimal embellishment. i quite like the look of the aerated paper as well, and luckily, i need to order another beaker, so, yay, more wrapping material!

baubles

as it is gift-giving time, i can unveil the little presents i bought at the kamigamo handmade market. there were so many kaitei charms at each booth, it was difficult to choose just four. they're all just too kawaii.

one of the things i'm incorporating into my daily life is japanese incense; it smells lovely unburned, exotic while burning, and lingers for several days in a pleasant way. i hope it will freshen up the air in my studio as well. further updates on that front soon.

i knew of kumihimo before i went to japan, but it was still a charming surprise to come across it and find that i liked the fresh colors and modern aesthetic.

tougher than it looks

i've been seeing posts about solar dyeing, and thought i would give it a try; as it's still in the 90's here and the thought of turning on the stove and standing over it for an hour is rather unbearable. using the leftover dyestuff from past dye projects, red onion skin and avocado skin, i pleated and wrapped some of my prepared alum mordanted cloth bits and let them soak outside in the sun for two days. the avocado is still soaking, so no results to post of yet.

i was happy with the results of the cotton swatch soaked in onion skin; finally some patterning to my dye efforts! as i've been going through my selvedge magazines i've been reading a lot about resist dyeing, i think that that along with shibori will be my next area of study. the linen piece was okay, some dye penetrated the edges but the inside of the pleat was still white. pretty, but not as interesting as the cotton.

i've been admiring the progress eva of tinctory has been making with her smocking pieces, and have to say that i was impressed and enchanted with her work last year, but am really enthralled by her current natural dye artworks. one day i shall own one of her lovely pieces for my own.

i had tried my hand at smocking in the past and every attempt was quite sad, so pulling out the art of manipulating fabric, i tried once more using the dyed linen swatch. after several eh stitched attempts, i ripped them out, and tried to simplify my approach. two rows in and i thought of what could fit in the niches to make it more interesting, and to aid in holding them open. looking through my bead collection, at first i tried seed beads (too small), then swarvoski crystals (too saturated in color), and finally my pearls (they popped right in and added a delicate glow to the soft coloring of the dye). as i sewed, the piece started to take shape and i pictured a 3-dimensional brooch; so when i was done, i sewed it to a bit of felt and a pin. at the finish of this project, i have to say hats off to tinctory, as this was a more difficult skill than i had previously thought, and requires a good deal of thought beforehand. i'm not sure if i shall make further attempts, but a skill learned is never lost.

back in the saddle

i had a desire to create more pins last night; sadly, i had ignored the making of them for some time. so i dumped out my scrap bags, gathered my sewing needle and thread spool and set to work.

the first is of limes and sky, with glow worms floating on a gust of air. my ode to the last days of summer.

the second is my halloween inspiration, with the warm pumpkins and dusky grays of trick or treat eve. cozy wool felt and silver edged tulle, remind me of the coming cooler days.

they won't be going in my etsy store, as i will be away for some time and have put it on holiday mode; but if you would like either one, just email me before the 27th of this month.

stitching together

well, i decided to go ahead and just do some simple stitching on the mini quilt to finish it. there really weren't any disastrous needle incidents; besides the moment i sewed my thumb, but luckily there was no loss of blood involved.

i quite like the rippling texture, it's very much like viewing the crops lined up in fields while one is in a plane overhead. the backside came out okay, but not really photo worthy. i decided to create the whole piece by hand sewing; it's so small as to be a completely accomplishable task.

will i do another one? i'm not really sure, perhaps not anytime soon. but there is a stack of wheat and lavender fabrics i've been collecting.

textural yet delicate

i came across a really neat cone of cotton slubby thread and also a jade green cone of pearl cotton at my local yarn store; i love slubby textiles. looking at these thin yarns i really wanted to weave a scarf from them along with a grey bamboo yarn from my habu stash which i could pack for my trip. when i got home i plotted out some warp stripes with the green and grey against the cream, figured out a good width and length and had at it on the warping board.

needless to say the first warp was a disaster; all of the slubby threads stuck to each other like velcro. so this particular thread would be a weft yarn unless spaced with a slicker material. good to know. i salvaged as much as i could, placed them on bobbins and rethought my plans. when in doubt, fall back on pearl cotton.

the second warp went off without fail, and i was able to thread up, get tension, and start to weave. i kind of plan as i go when it comes to the weft threads, i like the sudden thought flashes that happen when i do this. taking notes along the way helps though. and keeping a record along with samples of yarn used.

i like how it came out, wrinkles will only add to it's textural appeal, and it's really light; so perfect to pack for travel.

first to finish

i had large ideas for the aqua textile piece i first wove, but then decided to focus on the yellow piece as it turned out so lovely. paired with linen (my love), minty satin ribbon (my obsession), and sewn into a kapok stuffed boudoir pillow (my soft spot), i think it is something quite special now.

i love how it turned out; this whole creating textiles thing is absolutely fascinating to me.

different strokes?

i'm finding that using different wefts create different looks, even if the warp is the same (hypothetically i knew this already). i looked around for some other thread to use, as i had made a longer warp then what i had blue yarn for, remembered my mother had a spool of crochet thread and "borrowed" some of it. so here's the result:

i'm thinking of something to use the finished piece on, and have several plans running around my brain. so wish me luck when i cut into these two pieces!

it's actually a laid back kinda dragon

the finished piece; stretched, framed, and hung. while working on this, i realized the many positive steps to be found in the making of a japanese embroidery piece versus the western style of embroidery. mostly that drum tight fabric, rice paste starched backing threads, and steaming while still in the frame create a wrinkle and dimple free finished piece. which, of course, this is not. but i like the dragon anyways. maybe i'll apply padding under the clouds, that will take care of the dimpling.

just a tiny glimpse

or not so tiny. here's a peek at what i've been working on the last few days. it's up and framed now, but it's too dark to photograph. i find that i really like embroidery, hand and machine.

taking apart and reassembling

several months ago i sewed a shirt together without a pattern and added some decorative elements to it. i liked different things about it; but i also disliked several things. so, i decided to remove the silk scales from the pockets and sewed them together into a necklace. i like it ever so much more.

natural elements

using nature as inspiration is something we all do; its diversity and beauty is breathtaking, ever shifting, and at times unattainable. but using nature as the working medium sometimes works out even better then trying to capture its essence.

ever since i bought a bag of curricula cocoons from habu textiles i have been continually amazed by them. there are so many projects i find myself incorporating them into. my latest creation uses them as a main element; a pair of silver earrings with the cocoon wrapped around a creamy pearl. i made this pair for juyeon kim, the artist on the installation project i've been assisting with.

if at first you fail

you don't quite know what you're capable of until you try. this is something i've learned in the last couple of days. also, that sticking with something, overcoming the mistakes and finishing it, can be rewarding.

the case in point is a pair of slippers; my pseudo turkish, slightly clown-like slippers. i found it somewhat difficult to find a pair of house slippers for japan within a certain price range and also ones that i liked. so after a fruitless search on my regular avenues (etsy, zappos, google) i decided to make a pair. i remembered that martha stewart had a pattern for felt slippers, a pretty pair with a flower silhouette cut out.

i may have started with that pattern, but it's not what i ended up with. i made several key sizing mistakes (too large), but after seam ripping, cutting, resewing, more seam ripping, painful finger pads, pin stabs (hopefully my last tetanus shot is still active), i had a somewhat eccentric pair of slippers which have lots of toe room and do a reasonably good job of staying on my feet. as far as price goes (creation time notwithstanding), i had on hand everything i used in the making of them; leather for the sole, industrial felt, padded fabric, fabric for the binding, thread, and yarn for the pompoms. needless to say, this may very well be the last time i make my own pair of slippers; i think i'll just buy a pair when these wear out.

something's growing in here

well, maybe not. several weeks ago i tried my hand at growing a moss terrarium. it looked lovely for several days; then just kind of, well, died. i do tend to be that person that can't even keep a rock plant alive. weirdly enough though, i do really well with orchids.

while browsing @home yesterday i came across these little planters (they're around 1" deep x 3" long x 1-1.5" wide). there were three left, so i took them all home. remember, i have this fascination with all things miniature.

at first i was just going to uproot another patch of moss from outside and try my luck again at growing something. but when i woke up this morning i received a stroke of inspiration from an interview featured on etsy; i would needle felt some moss for my new planter!

digging into my box of felt, finding the right colors, grabbing my felting needles, i was glad of my crafting material hoarding ways; i didn't need to get in the car and drive an hour away to see my vision to fruition.

i started with a rich chocolate brown for the soil, mixed a lime green with a softer green for the moss, and felted them to fit into the planter, avoiding my fingers as much as possible. when it was done to my satisfaction, i took a regular needle and some thread to make the little spikes. i accented my first one with vintage stamens that i had also picked up. eh, voila! a non dyeing plant that i can put anywhere!

handmade presents

for the past few christmas' i've been making gifts for close family instead of the conventional buying of gifts. i don't know, it makes it feel more like giving; taking the time to think of what each person would be charmed by, then spending time in the creation.

plus there's the added benefit of not worrying about returns, "i already have that", or spending lots of $. i know, completely selfish on my part, but giving gifts is not about me buying you something you want just because it's what this holiday has turned into. it's about giving you something from my heart as a way of saying "i care about you and am glad you're a part of my life and i'm choosing to show you this in a material way".

so, this year i needle felted a bird ornament for my mother; she collects them and it makes her happy as this is her favorite time of year.

for my brother i'm giving him a fiber wall piece that i had made earlier in the year when inspiration struck. it has a gold embroidered skeleton on it; charming, i know.

i painted a field of mushrooms with a sky blue cloudscape on brown paper framed in an antique glass frame for my sister. for her two children i crafted a 2-d spongebob out of paper for my nephew (who has an overwhelming obsession with all things spongebob), knitted a blanket and sewed three decorative pillows for my nieces' dollhouse, thankfully they're only 4 and five years of age.

the only member of my family that i break the handmade code for is my father. he received a 12 pack of beer. he's really bad about getting gifts, something along the line of "what do i need that for?" and "if i need something i'll go out and buy it for myself". ah, the joys of family.

the loveliness of mold, and other wonders

i'm constantly being amazed at the talent on etsy, it's really wonderful actually. since shopping on it these last few months i've noticed a real lack of interest in myself of wanting to shop in the real world. i've this feeling when looking in stores that i could get a much nicer and more unique item on etsy.

if you asked me a year ago what i like to do for enjoyment i would have told you "shopping". just walking into stores, looking at things, trying clothes on, touching materials, is really fun. but lately i just seem so tired of it all. the need to purchase something so that a shopping excursion is deemed successful has just really disappeared. most times when i do go shopping i don't bring anything home. it's all rather odd.

but then i look at the things i've acquired from some really talented ladies on the web, and i feel good. these pieces make me happy when i look at them. it's incredible to know who made what, put a person to each piece. there are stories behind them, blogs you can visit, websites that let you know more about the artist; what drives them. i think this connection is what is missing from stores now. call it the mass production affect, but all these things that they stock just seem dead, so soulless in their anonymity.

i am a follower of the "handmade" movement; for reasons such as craftsmanship, preservation of historic skills, the creative eye, a fair wage, uniqueness. but i've come to realize that it's more than that, it's the ability to reach out and share something wonderful with someone else. i know that when i create, so much of myself is put into it. call it a piece of your spirit, your energy, or your fingerprint, but this whatever-it-is makes what you create alive. so the happiness is more than the acquisition of material things, it's the happiness derived from surrounding oneself with things that contain life.

i hope the handmade movement is here to stay; because if we lose this ability as humans, to create, to empathize with our surroundings, i don't think there's much brightness in our future.